AnimationTokyo Competition Selector Fujitsu Ryota On Japanese Animation

Tokyo Competition Selector Fujitsu Ryota On Japanese Animation


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Fujitsu Ryota, programming advisor for the Tokyo Worldwide Movie Competition’s anime part, has taken ‘onko-chishin,’ a four-kanji-character time period that means “respect the previous, create the brand new,” as the rule of thumb for this 12 months’s choice.

Fujitsu Ryota, Tokyo competition anime selector.
Tokyo IFF

The competition has featured Japanese animation focuses for a number of years, reflecting anime’s place as a key element of the Japanese movie business. It’s in excessive and rising demand internationally.

The “previous” is examined in a three-film sidebar devoted to the life and work of Otsuka Yasuo, an business pioneer who died in March of this 12 months. He was a mentor of the late Takahata Isao and the long-lasting Miyazaki Hayao.

“Otsuka will not be well-known abroad, however he labored on large jobs as an animator in the course of the development interval of the animation business from the Nineteen Fifties to the Nineteen Eighties, and had an awesome affect on the youthful technology,” Fujitsu, advised Selection. “He additionally wrote an autobiography and was a witness to the historical past of Japanese anime. We featured him as a result of an summary of his achievements can also be an summary of the historical past of Japanese animation.”

The part additionally celebrates the fiftieth anniversary of the Kamen Rider tokusatsu (“particular results”) franchise, which has entertained generations of followers in Japan and all over the world, with six theatrical movies launched from 1972 to 2010. “This sidebar has been included within the Japanese Animation part from the start, and it isn’t instantly associated to animation,” Fujitsu admits. “However because it offers with ‘characters,’ a essential theme this 12 months, we imagine it belongs within the animation part.”

That theme can also be explored in a four-film sidebar titled “Japanese Animation: Seeing 2021 Via the Most important Character.” “The primary characters of the 4 movies are carefully associated to social points which have characterised 2021,” says Fujitsu. “Corresponding to the ability imbalance between the weak and the sturdy; issues girls face of their lives; the connection between the native and the worldwide; and the tenth anniversary of the Nice East Japan Earthquake.”

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Courtesy of Inu-Oh Movie Companions

Weak-versus-strong sums up the story of “Inu-Oh,” a Yuasa Masaaki animation a couple of dancer and Japanese lute participant who carry the dazzle and vitality of present-day pop to the Muromachi Interval (1336-1573). Regardless of being marginalized on account of their disabilities – the lute participant is blind and the dancer has bodily deformities – they win throngs of followers whereas difficult institution forces. Screened at Venice, Toronto and elsewhere to rave evaluations, the movie, in addition to others within the part by such main animators as Watanabe Ayumu, Ishizuka Atsuko and Mizushima Seiji, exemplify the brand new – and present that anime’s energy in not all in its storied previous.

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